What to do with monuments when the historical context changes? Should they be removed, re-contextualised, or, on the contrary, should we preserve them as a painful reminder of the events that took place decades or centur... (more)
Liliana from Bulgaria invites us to take a look at a 1954 World War II memorial, which has been used as an instrument for political expression, vandalism – or some would call art.
Milena from Serbia takes us to Belgrade and shows a building that is aptly described as "void" and what it tells us about the spring of 1999, when Belgrade was bombed.
Nobody cares about art? When ideology and historical revisionism mingle in a sculpture memorising victims of Nazi Germany in Hungary, the controversy about ‘Who is a victim and who is not?’ becomes too hot to erect the m... (more)